Date of Award

January 2013

Degree Type

Open Access Thesis

Degree Name

Master of Arts (MA)

Department

English and Theatre

First Advisor

Gerald Nachtwey

Department Affiliation

English and Theatre

Abstract

Despite the extensive collection of works related to both Joss Whedon and Buffy the Vampire Slayer, relatively little critical attention has so far dealt with the subject of metafiction. This study aims to make use of narratological analyses as well as drawing upon relevant theorists (e.g., Patricia Waugh, Fredric Jameson) to illustrate the various different ways Whedon has consciously constructed metafiction as an integral part of his most influential television series. Additionally, the project also endeavors to show how textual self-consciousness can be housed outside of the tradition space of the diegesis in favor of a paratextual element instead. Buffy the Vampire Slayer serves here as the primary example of this paratextual application towards television with regards to metafictional conflation.

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