Date of Award
January 2017
Degree Type
Open Access Thesis
Document Type
Master Thesis
Degree Name
Master of Arts (MA)
Department
English and Theatre
First Advisor
Erin Presley
Department Affiliation
English and Theatre
Second Advisor
Tom Butler
Department Affiliation
English and Theatre
Abstract
The importance of tattooing as an area of feminist composition study lies in its challenge to male discourse concerning the subjectivity of sexed, particularly female sexed, bodies that feminism has long ignored due to fear of essentialization. Cixous argues: "…Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard" (8). Tattooing has transitioned from writing masculine group identity (gangs, prisoners, sailors, etc.) into writing feminine embodied experience. It is a way for women to rewrite institutionalized norms of womanhood and humanity. Consequently, this paper argues that tattoos are a form of l' écriture féminine (écriture féminine). This is problematized, however, because unlike poetry, the original écriture féminine, described by Cixous in her essay "The Laugh of Medusa", tattoos are not usually inscribed by the women in whose skin they reside. Instead, tattoos are bought. The commodification of body and experience in this transaction supports a capitalist structure that upholds oppressive phallogocentric relations of power. Tattoos are far from another act of choice feminism that has been sublated into capitalist superstructures, though. The position of tattooing as an (anti)commodity raises important questions concerning feminist practices in late capitalism. This paper explicates how tattooing differs from other popular feminist fashions. In the end, it resolves the role capital conflict for women getting tattooed. Utilizing the concept of Body without Organs outlined in Deleuze and Guattari's Anti-Oedipus, this paper asserts that tattoos still act as écriture féminine and as a result, carry revolutionary potential. Becoming a Body without Organs through écriture féminine is a resistance writing that complicates institutionalized codification.
Copyright
Copyright 2017 Samantha Rodgers
Recommended Citation
Rodgers, Samantha, "(Re)Writing Woman with "The Laugh of the Medusa" and AntiOedipus" (2017). Online Theses and Dissertations. 556.
https://encompass.eku.edu/etd/556