Abstract
The American music festival industry is a highly developed market which continues to progress even now. This currently expanding market is exponentially larger than it once was at the origins of American music festival in the mid 20thcentury. While the American music festival industry may be a booming business, especially with the recent alleviations of COVID-19 restrictions, one thing that large scale and local companies are not considering is the impact race has on this market, both collectively and individually. While it may appear as though a fun form of music appreciation and recreational activity is not racially biased or discriminatory, it is relevant and necessary to search for a definite confirmation of this in order to provide research to support the betterment of the domestic music festival industry. This essay assumes the task of determining the relationship between race and the individual’s music festival experience.
Semester/Year of Award
Spring 5-6-2022
Mentor
James N. Maples
Mentor Department Affiliation
Language and Cultural Studies, Anthropology, and Sociology
Mentor Professional Affiliation
Anthropology, Sociology, and Social Work
Access Options
Restricted Access Thesis
Document Type
Bachelor Thesis
Degree Name
Honors Scholars
Degree Level
Bachelor's
Department
Language and Cultural Studies, Anthropology, and Sociology
Department Name when Degree Awarded
Anthropology, Sociology, and Social Work
IRB Approval Number (if applicable)
4360
Recommended Citation
Souders, Jack, "Racial Inclusivity in American Music Festival Culture: Who is it excluding?" (2022). Honors Theses. 896.
https://encompass.eku.edu/honors_theses/896